Wednesday, January 8, 2025

FAST TIMES BIG CITY by SHELLY FROME

 



Fast Times, Big City
Shelly Frome

Genre: Historical Fiction 
Publisher: BCB Publishing
Date of Publication: February 27 2024
ISBN: 9798886330267
ASIN: BOC8CBLC2C
Number of pages: 284
Word Count: 77, 501
Cover Artist: Frank Federico

Tagline: Bud Palmer is in a bind as he finds himself at the crossroads where everything is on the verge

Book Description: 

Like most people, Bud Palmer felt this was just another day. Though the era was drawing to a close, he assumed his life as a sports columnist in the subtropics, in keeping with the benign fifties itself, would go on as predictable as ever. 

But that particular autumn morning he was thrust into a caper that was totally beyond him, forced him to leave Miami and take the train to Manhattan, and suddenly found everything in this restless "Big Apple" was up for grabs, on the brink, at a dicey turning point.

Excerpt from Chapter One

Bud Palmer slipped on his sunglasses and set off in his Ford Sunliner convertible on this balmy subtropical Satur- day morning. All the while he tried to convince himself he could get this meeting over with quickly no matter what his shady uncle Rick was up to.

Then again Bud wished he’d just hung up on him. Not put up with “Can’t tell you over the phone. I need you here in person, soon as possible.” That way he wouldn’t be driving across the MacArthur Causeway. Moreover, if his mother hadn’t asked him to look out for her kid brother while she and his dad were on their Caribbean cruise, he’d never have been reminded of Rick’s schemes such as hanging up a dual Realtor/ PI sign.

He wouldn’t be thinking of Rick Ellis at all.

As he drove on, more disconcerting images came to mind: a wiry little guy clutching a polaroid camera, hiding behind the poinsettias as some floozy snuck into a garish motel with some- one’s husband in tow.

Not that Bud himself was always straightforward. At twenty- nine, while his friends were married with kids he was still easing out of relationships the minute he was asked, “Tell me, Bud, how much does a sportswriter make?” Or, “I hear there’s a new subdivision going up in Miramar, each house with a Lanai. Perfect for raising a family.”

In comparison with Rick, however, Bud was always honest about his intentions whether it be his work or love life. In contrast, when playing tennis for instance, Rick was always looking for an angle. He’d crouch behind the net ready to pounce or cut off an opponent’s serve, always looking to throw the server off his game.

Bud crossed over onto Miami Beach, tooled around, passed the ballfield at Flamingo Park, eased by the pastel sidewalks taking him up to Ocean Drive and the fresh fruit juice stand at 10th Street Beach. He parked by a curb directly in line with the juice stand, got out and crossed the sun-dappled street.

Glancing around, he took in the cool tinge of fall blowing in from the ocean, fusing with the salty scent of the water. The sun’s rays streamed through the fluffy clouds; the waves rippled, beckoning the smattering of sunbathers to take a dip.

Everywhere Bud looked nothing had changed. Which included the sight of middle-aged women across the way in their flowery sun dresses, whiling away the hours on the patios of their pink-stucco efficiency apartments; shuffling mahjong tiles; glancing over at the white sands stretching off into the distance in hopes of spotting some lonely bachelor. It was all predictable. Even his paper, the Miami Herald and source of his livelihood, discarded on the empty green bench, seconded the motion.

There was a photo of President Eisenhower above the fold playing golf nearby at Jackie Gleeson’s country club, and a sidebar noting the U.S. was gaining in the space race with the Soviets.

Whatever Rick was champing at the bit about had to be taken with the proverbial grain of salt.

As if in agreement, a voluptuous blond in a fuchsia bikini came into view, turned on the outdoor shower a few yards away, casually washed off the salt water residue on her shoulders, and winked.

Bud smiled back, checked his watch and gazed beyond the mahjong ladies to a gap in the row of efficiency apartments at the end of the block where the weathered bungalow sat a few yards back. The one with the fading sign fronting the bamboo porch railing that read Walk-ins Welcome: Services Unlimited.

He crossed over, hurried past the row of squat apartments, pivoted by the sign, noted the rear end of the rusty Studebaker sitting in the carport, and nodded. It was all the same-old same- old promising more of the same. He bound up the steps, called out “Hello?” opened the screen door and walked right in.

And, sure enough, there Rick was ready and waiting, sporting that signature Charlie Chaplin mustache, flowered short-sleeved shirt and white linen slacks. The first worrisome signal, however, was his bleary, blood-shot eyes as he over-poured a carafe of steaming black coffee into a mug. He whipped out a handkerchief, plunked the carafe and mug on the edge of the desk in the center of the room, and mopped up the spill. At the same time, Bud took in the rest of the place and saw that it hadn’t changed a bit, starting from the girlie calendars on the walls, milk boxes full of paperbacks on the floor; the cluttered desk topped by a scuffed black rotary phone, notary stamp, and the Smith-Corona typewriter flanked by a hat stand with a random display. To complete the picture, there was the rack of glossy magazines so that Rick could keep up with the latest, plus a wooden perch that once accommodated a talking parrot on the near side of a shaded window and a sun-bleached deck chair.

Everything was the same and not at all the same.

About the Author:

Shelly Frome is a member of Mystery Writers of America, a professor of dramatic arts emeritus at UConn, a former professional actor, and a writer of crime novels and books on theater and film. He also is a features writer for Gannett Publications. His fiction includes Sun Dance for Andy Horn, Lilac Moon, Twilight of the Drifter, Tinseltown Riff, Murder Run, Moon Games, The Secluded Village Murders, Miranda and the D-Day Caper and Shadow of the Gypsy. Among his works of non-fiction are The Actors Studio: A History, a guide to playwriting and one on screenwriting, Fast Times, Big City is his latest foray into the world of crime and the amateur sleuth. He lives in Black Mountain, North Carolina.










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