With less than a handful of tickets left for this event, we're happy to announce CORNERSTONE SUPERNATURAL has raised over $3000.00 for this historical museum.
Friday, October 3, 2025
INTERVIEW with FLOY OWENS (Shades of Night)
Tell me a little bit about your main character of this book.
Violet Cartwright is exactly the kind of woman who makes people uncomfortable and curious at once. She is brilliant at reading a room, patient in ways that look like boredom, and precise to the point of cruelty when the situation demands it. On the surface, she keeps a composed life; underneath, she is a strategist who catalogues harm and converts it into action. She is not simply a victim or a villain. She is someone who learned the language of survival and uses it as a tool, a mirror, and sometimes a weapon. The most dangerous thing about Violet is how ordinary she appears while everything inside her is quietly working.
2. Do you believe in the paranormal and if so, do you have an experience you can share?
I do believe in the paranormal. I am a practicing witch, and that perspective naturally shapes my worldview and my writing. For me, the unseen is real and meaningful, but I keep the details private and let that sense of mystery speak through my stories.
3. What titles are you working on now that you can tell us about?
I am drafting a fast-paced thriller series about a former teenage killer turned FBI profiler, and I am finishing up a dark romance series under another pen name. I have a third novel in the drafting phase that is a psychological romance.
Excerpt:
The room is dim, shadows casting sinister shapes as Violet hangs suspended from the ceiling beam. The air is sharp, metallic. Her upper back is pierced by two thick, curved steel hooks, twisting cruelly into her flesh, skin stretched unnaturally taut. The thick rope threaded through the hooks connects her to the beam. Blood seeps in thin rivulets down her sides, creating jagged streaks that pool at her underwear’s waistband, before dropping to the cold concrete below.
Her legs are submerged in a steel basin, the stool beneath it unsteady. The water, tainted with rust and streaks of her blood, ripples faintly. Her arms dangle, hands still bound together. Her head tilts slightly forward, chin resting against her chest. She forces each breath to remain slow, even.
Erik crouches beside a car battery, his clean, collared flannel shirt tucked into dark jeans, sleeves rolled to the elbows. He tightens the clamps on the terminals, sparks leaping at the contact.
“You know, I’ve read every page of your life.” He lifts the jumper cables, taps them together, causing a spark to ignite. “Medical files, police reports, case manager notes. Every sad word.” He shakes his head, disgust feigned, setting the cables aside momentarily. “When you have money, nothing’s off limits, it’s sick really.” He moves to the basin, adjusting it beneath her feet. “I know exactly where you’ve been, what was done to you, who did it.” Leaning in, his voice drops, almost intimate. “Nothing about you is hidden from me.”
Violet’s lips curl in a half-smile, eyes sharp despite the pain. “Then you must know how all this will end.”
Erik holds her gaze for a beat, then lowers both jumper cables into the basin. Violet’s body seizes violently, legs kicking, sending ripples through the bloody water. The jolt rips through her, every nerve set on fire. Her jaw snaps shut, teeth grinding. There’s a rush of static in her ears, then nothing but blinding white. She bites her tongue to keep from crying out. In the haze, she thinks she hears Erik counting under his breath. Her back arches against the hooks, fresh blood weeping from the wounds. The water bubbles and hisses as the current surges.
As smoke fills the Cage and the pain recedes, Violet’s awareness drifts. For Erik, each session in the Cage is a key, unlocking a different memory he has constructed from her files. He pictures another house, another set of wounds, another day when everything was already broken.
He sees it as clearly as the files he read. She would have been younger then, thinner, eyes already trained on disaster. He pictures her entering a silent house, feeling the weight of what waits inside. It is not guesswork anymore. The details are always the same.
***
Twenty-One Years Ago
The house door creaks open. Violet steps inside, fifteen and all sharp angles, her backpack slipping from one shoulder. She doesn’t bother fixing it. The air inside is heavy with stillness, as if the house knew what it held and decided to stop breathing.
She does not call out. The house would not answer.
Dust drapes the furniture like snow. The living room is quiet, dark in places it never used to be. A coffee mug lies on its side beside the couch, cracked and forgotten. The blinds are crooked. No breeze. No motion.
Nothing waits to greet her.
Fifteen years old. She walks into a nightmare.
She steps further in, sneakers whispering across the worn floorboards. Her eyes scan the room like she’s been here before and expects what’s coming. Maybe she does. Girls like Violet don’t walk through life with surprises. They walk through patterns.
In the center of the room, her mother hangs.
The ceiling fan turns slowly, each rotation jerking her body just enough to keep the sound going.
Creak.
Creak.
Her legs are stiff, toes pointed downward. A bruise rings her throat, buried beneath the cord. Her dress has slipped from one shoulder. Her mouth is open.
The smell is subtle: sweet rot, sour perfume.
Her mother, tangled in her own mess.
Violet doesn’t cry. She doesn’t cover her mouth or run. She just watches the sway of the body. The way the fan keeps spinning, mechanical and obedient. Then, without a word, she walks past it. No glance back.
The kitchen has its own secrets.
Her father slouches in a chair by the table, neck limp, jaw slack. A bullet hole marks the center of his forehead like a forgotten dot on a test paper. The blood beneath him has dried into maroon shadows, seeping into the wood grain.
The table is chaos. A burned spoon. A twisted tourniquet. A cheap yellow lighter.
He never cleaned up. Never thought she’d come home early.
Her mother finally snapped. Maybe she couldn’t take the guilt anymore.
Violet crouches beside the body. She looks at his hands, still dirty beneath the nails. At the way one boot stayed on while the other sits overturned by the fridge. At the stubble that never grew evenly.
She doesn’t touch him.
Maybe Daddy spent too much money on junk.
She rises again.
Moves down the hall, light as breath, like she doesn’t want to wake whatever still lives in the walls. At the end of the hallway, she lowers herself to the floor. Her back presses against the floral wallpaper, now peeling. Knees drawn tight. Arms locked around them.
She doesn’t shake.
She doesn’t blink.
Or maybe she realized her main source of income was drying up.
The older the girl got, the less she was worth. Mommy shot Daddy dead, then strung herself up.
The house is still now, except for the soft tick of a clock and the distant, endless turn of the fan.
Violet breathes evenly. Her face is blank. Not numb. Blank. Numbness implies a feeling that once existed.
This is not grief. It is recognition.
A girl walks into a house and finds herself orphaned. And somewhere inside her, she knew it was coming.
Some part of her always knew.
INTERVIEW WITH KIMBER GREY (The Chosen One's Assistant)
1. Tell me a little bit about your main character of this book.
Poor Tiberius is immensely out of his league for the entire book, but he tries so hard to be a good assistant and to be a good man. I really read a lot of myself in this character, because he has a lot of the same fears and insecurities as I would have in his situation, only I think he ended up being much braver that I am. I think having a deeply flawed person trying their absolute best to rise up and meet a situation, particularly when their problems are in many ways self-created, can really speak to everyone who has ever had to meet the mirror's eyes and accept responsibility for their poor choices and struggle through difficult times. Tiberius is the hero I want to be: through weakness, fear, insecurity, and lack of preparation or training, he keeps pushing forward and trying to become what is needed for himself and for the world. It's not glamorous, but it's noble in ways we rarely get to be.
2. Agreed. I think we all know about "poor choices" Do you believe in the paranormal and if so, do you have an experience you can share?
I certainly believe in the paranormal, from manifesting destiny through energy work to the existence of a spiritual body that exists beyond death. I believe there are many different kinds of "ghost." I think strong energy can leave an impression or an 'echo' of someone or an event on a place or an object. I also believe spiritual beings have the ability to linger and to interact with the physical world. I believe my current house is (or rather was) occupied by several spiritual beings, whether human or otherwise. One of them loved to make noises and get me to respond to it.
Once, when I was alone taking a nap, I could hear very exaggerated breathing from on or just above the bed. I held my breath to make sure I wasn't hearing myself, but it didn't stop. This was "Luke, I am your father" like deep breathing: intentional and obvious. Finally, I said, "Okay. I acknowledge you. I can hear you. I acknowledge that you're there. Can I please go to sleep now?" Just like that, it stopped.
Another time I was in my living room with three guests. Our back door makes a very distinct noise. It's a loud creak and a bang. At the time, my husband and I always entered and left the house through the back door, so everyone who visited knew the sound. This evening, I was hanging with my girlfriends, and we heard the back door creak open and then creak closed and bang shut. We all stopped talking and they asked me if my husband was home. I said he wasn't supposed to be home for a few hours. I got up and headed to the back door saying, "Hey, honey. I thought you weren't going to be home for while, yet." There was no one there. The door was closed and locked. All four of us had heard it at the same time; we all thought my husband had come home. I imagine the trickster ghost got a good chuckle out of that one.
3. Sounds like you fit right into we experiencers. What titles are you working on now that you can tell us about?
In every review of The Chosen One’s Assistant on Amazon, people are asking for the sequel. Naturally, I’m working on that. My next project, however, is something I’m really excited about. I’m preparing to publish my first Paranormal Romance novel under the pen name Harlee Jordan: Demon of the Emerald Isle. The main character is a fiercely independent code-monkey named Celeste who falls desperately in lust with a dangerous and mysterious Irish businessman named Donovan, who turns out to be possessed by a demon from the Amduat (the Egyptian Underworld). The story is exciting, passionate, dark, and deeply emotional. Plus, I get to dive into one of the coolest settings you possibly can: ancient Egyptian gods and magic. This is the first book in the Amduat Demon Trilogy, and the first three chapters are available for free download here: https://dl.bookfunnel.com/nkjm779pvt
Excerpt:
I returned to the room and knocked, entering at the direction of The Chosen One... who stood in front of the mirror wearing nothing but his Chosen underwear and the tyrian purple cloak wrapped around his shoulders. His chest was puffed out, and his enormous, muscular limbs flexed this way and that as he posed himself in dramatic battle postures with his famous great sword. Every inch of visible skin was hairless and glistening. He had worked up a sweat admiring himself, and I could still smell the liquor on him.
"Um..." I mumbled, wondering if I should return at a more convenient—and less embarrassing—time. Much to my chagrin, he didn't stop flexing on my account.
"Go ahead and pack," he grunted as he clenched his stomach to make all of his tightly bound abdomen muscles pop. "I'll wait for the pressed clothes." He turned to the side and threw the cloak over his shoulder so he could admire his hips and backside, casting daring glances at his tiny embroidered face on the seat of his underpinnings through the polished brass.
I was certain my own face was scarlet as I skirted past him to gather up everything and return the items to the trunks that seemed the most appropriate. The entire time I worked, he didn't break from his posturing, and I wondered if it was a form of exercise for him, or if it merely exercised his ego. My work was hastened by embarrassment, and when I was done, I silently took up the first Tome of Tiberius. I turned my back, ignoring his grunting and wheezing, and flipped to chapter 3, skimming for the most pertinent pieces of information. I needed to know how to handle The Chosen One's finances.
I quickly learned it was my duty to draw up contracts when The Chosen One agreed to take a deal, enforce the contracts, and collect the fees. It was my duty to arrange for appraisers, auctioneers, and moneychangers to convert any "spoils" of The Chosen One's labors—those that he did not keep for his personal collection—to coin. It was my duty to ensure there was sufficient coin for The Chosen One to live whatever lifestyle he chose and to fund any campaign. Incidentals incurred as a direct result of a campaign—such as bribing furious husbands—came from funds before they were deposited into a bank and Tiberius' percentage was calculated. There was a list of "lifestyle" actions that came from the bank and were not considered incidentals; "donations and women" were on that list. Thus, I assumed him throwing coins into the crowd was not an incidental, either, but came from The Chosen One's own bank holdings.
"You need to plot a course for Vevesk," The Chosen One said between poses. "They have vampire stoats."
"What," I asked, slightly startled by the break in silence. "What is a stoat?"
"I think they said it was like a long rat." He glanced over at me. "Find out. And find out how to kill it."
I stared at him until his self-admiration embarrassed me enough to look away. "You don't know how to kill them?"
"I assume I cut them up enough, they'll die," he quipped. "You need to figure out how it happened so I can stop it. Evil wizard, ancient curse, typical vampirism, that sort of thing."
"I have to learn what caused this outbreak of blood-sucking long rats?" I asked, incredulously. Surely he was jesting. That was his job.
"Chapter 2," he said, stripping off the cloak so he could better admire his shoulders.
I grimaced and turned to the second chapter in the Tome of Tiberius. This detailed how I was to conduct necessary research for a campaign and successfully translate it to The Chosen One, for him to then implement that knowledge to complete his feats of heroism. I sighed deeply. "There is no university here to hold historical works, and many of the larger temples do not have any books in them at all. I will need to visit the Wizards' Guild, the Questers' Guild, and the Scriveners' Guild," I explained.
"Go quickly," he ordered without sympathy. "We leave soon."
I gritted my teeth and rose from my chair, throwing Tiberius' quill and a stack of paper sheets into my shoulder bag. It was all but impossible to do the kind of research this would require in only a handful of hours. So, I ran.
Friday, September 12, 2025
INTERVIEW WITH LAUREN CARTER (Lakegrave School for Young Women)
Supernatural Central Short and Quick Interview
1. Tell me a little bit about your main character of this book.
Raven Edevane is a smart and caring woman, who spent her childhood and the beginnings of her adulthood very isolated alongside her cousin, Rowan. She tells herself she isn’t good around people but quickly finds herself becoming close friends with the girls in her dorm room (Esme in particular…). She wants to be useful, wants to be needed, and loves nothing more than music, violin being her heart.
2. Do you believe in the paranormal and if so, do you have an experience you can share?
I would like to but never had a concrete experience with it. I love writing and reading ghost stories and so wish that I had seen a ghost myself. There’s been a few instances, here and there, of “maybe”. Maybe something was there but I couldn’t say for sure. I guess this is why so many of my stories are supernatural in one way or another.
3. What titles are you working on now that you can tell us about?
I’m finishing off my next release (coming beginning of 2026), which hasn’t been announced yet (probably will be in November) and all I can say for now is it’s a ghost story, with a horrific mystery entangled within. I’m also releasing a book with Poe Girl Publishing, coming during the spooky period of 2026, this hasn’t been announced yet either and I don’t think I can say a thing yet!
Excerpt:
There isn’t much known about Lakegrave School for Young Women due to its remote location and it being a new school, but it is the only school in the world known for its unique education style—it’s completely self-taught. There are no teachers, just one headmistress. The school only invites the best and brightest women from across the globe to study there for one year before being scouted to go on to their dream careers. This didn’t mean smart in absolutely everything but a genius in our own field.
That is the other unique thing—it also only invites one person per specialist subject.
That’s why Rowan and I were lucky enough to be accepted. Rowan is only just old enough to attend at one and twenty years of age; I, on the other hand, have two years on her. Luck was also on our side when we were encouraged to pursue different hobbies instead of the same, otherwise we wouldn’t have been accepted concurrently.
Leading up to the school, I can only make out the tops of the building as the hedge has overgrown so much. It’s as if the place has been neglected over the summer, if not over the years. Such an odd notion for a new educational establishment but, then again, it was something else before.
I reach the main gate and see a crest at the top. In the middle, there is a sprig of lavender and on each side of the shield are bees facing inward. This looks like it’s been cleaned recently.
Couldn’t say the same for the rest of the gate.
It looks like it once was black, but it is brown now due to the rust. I don’t want to touch it, so I nudge it open with my elbow and shut it again once I’m in.
It’s called a school, but it would be better off compared to a castle, just like every other boarding school that exists. The windows stretch tall and look like they are modelled after a church. Although it is a fairly new build, its appearance is like it has been designed as old-fashioned on purpose, fitting in with something from the 1600s rather than the 1800s. And it almost looks like it’s falling apart, the brickwork cracked and turning the walls into a darker colour rather than its usual sand. It is preposterously big for a school that doesn’t admit too many students. There is definitely some sort of beauty to the building but for some reason, even in the daytime, it appears a little ominous—as if the place is lifeless. It seems as though the garden has overtaken everything as greenery and moss is growing alongside the building. To the west of the school there are some greenhouses and to the east of the school is a church.
The ground crunches as I walk up to the building. There is a huge fountain which is bordered by the driveway on either side but appears not to work, and a huge statue coming out from the middle of it. I’m not that knowledgeable about Greek gods but I know it’s Aphrodite.
It seems fitting to have her standing guard over us.
I pause by the front door, already hearing voices coming from within, so I grip my violin case tighter and push the double doors inwards—letting them shut me away for the next year.
Monday, September 8, 2025
INTERVIEW WITH GAIL Z. MARTIN & LARRY N. MARTIN (Times Change)
Supernatural Central Short and Quick Interview with Gail Z. Martin
Tell me a little bit about your main character of this book.
A: Joe Mack was born Josef Magarac and came to the United States in the 1880s from Hungary to work in the steel mills of Pittsburgh, wanting nothing more than a safe place to raise a family and a good job to support them. He lost his wife and child to fever. As he lay dying in the aftermath of the Homestead Strike of 1892, he called on Krukis, the Slavic god of justice, for vengeance. Krukis made Joe his immortal champion. He changed his name to Joe Mack, and now he fights vampires, dark witches, and the corrupt men who are a different kind of monster.
Do you believe in the paranormal and if so, do you have an experience you can share?
A: I am open-minded about the possibility. I know enough people who have had experiences I can’t explain to admit that I don’t know.
What titles are you working on now that you can tell us about?
A: The next book under my Gail Z. Martin name will be Sinistram, the third Night Vigil book which I hope to have out in September. The next Morgan Brice book will be Angels and Omens, the fourth Treasure Trail book. In addition to Times Change, my husband and co-author Larry N. Martin and I also had another recent release, Dead of Winter in our Spells Salt and Steel series, and as Morgan Brice, my latest release was Cursed in my Witchbane series.
Excerpt 1:
I’d burned her bones, but she was back again.
And now she was pissed.
I fired my shotgun filled with salt rounds, but she vanished between when I pulled the trigger and when the shells fired. Then she materialized behind me and gave me a shove that sent me sprawling.
I’m a big guy, and thanks to a favor from a Slavic god, I’m immortal and pretty damned hard to injure. That doesn’t mean I like being tossed around by ill-tempered ghosts who have overstayed their welcome.
I rolled and came up with the shotgun locked and loaded, firing into the ghost’s midsection. That bought me a moment or two since salt fritzes ghosts’ ability to manifest, but I knew she wouldn’t be gone long.
I walked to where the tracks had been and stopped when the toe of my boot struck an old spike left from the long-ago rails. A scream reverberated through the forest. I pumped my shotgun and blasted her again before she could fully re-form. Then I set a salt circle around myself to keep her from knocking me around, dumped lighter fluid on the spike, and dropped a match on it.
People called the ghost the Lavender Lady. The stories said that she had been gathering the flowers back in the early 1900s when she was struck by a train—back before the tracks had been pulled up when trains still ran.
The town of Moonville was nothing but ruins now; the railroad was long gone, and the tunnel had fallen into disrepair, but the Lavender Lady still wandered the forest, surprising hikers and scaring thrill-seekers.
The Lady’s real name was Henrietta Austin, and while her body was found amid the flowers for which she was nicknamed, the evidence suggested foul play, covered up by the train accident story. Since the culprit was long dead, I couldn’t give Henrietta justice, but I might be able to give her peace.
But first, she would try her best to kill me.
Henrietta’s ghost hurled herself against the salt circle’s iridescent barrier, angry at fate and desperate to take it out on someone. Her corpse-pale face, marred by fury and decomposition, pressed against the scrim, and a terrible screech threatened to make my ears bleed.
“Depart from here, Henrietta Austin, and trouble the living no more,” I commanded. “Your time is long past, and your killer is dead. Let go and move on.”
The fire flared around the old rail spike, and I could see Henrietta’s spirit fading. The accelerant I’d poured on the metal stake wouldn’t melt iron, but I took the chance that flames would burn away enough of the coating to drive her off. Then I could pull the stake out of the ground, put it in the lead and iron box I’d brought, and make sure Henrietta never bothered anyone again.
Henrietta gave one last blood-curdling scream and vanished. I wasn’t foolish enough to believe her energy had dissipated that quickly after haunting these woods for a century, but perhaps she needed to recharge before attacking again.
By that time, I intended to have her anchor—the spike—out of her reach forever.
Excerpt 2:
She lit candles and seated herself across from me at a small table with a block-printed covering with protective sigils blind stitched into its complex pattern. The area was well-warded and protected with powerful magic. I’d learned a long time ago that Sicilian and Corsican witches had special talent, and I could feel the energy in the air as Mrs. Brandino settled into the chair and centered her magic.
“Take my hands.”
Delicate fingers closed around my meaty digits, feeling fragile in my grip. I noted the thin, crepey skin mottled with age spots that contrasted with my rough palms. I was far older, but she seemed ancient.
“Jack West and Sarah Grace McAllen Harringworth, your friend has come to speak with you.” She closed her eyes, and her features relaxed as she tranced to open the connection to the Beyond.
When she opened her eyes, I knew she had stepped to the back of her consciousness and allowed the spirit of Jack West to move to the forefront.
“Hiya, Joe. Been a while.” The voice was Mrs. Brandino’s, but the tone and inflection were pure Jack West.
“How’s life on the other side?”
She shrugged, capturing West’s mannerisms perfectly. “Still can’t play a harp for shit,” he joked. “What brings you here?”
“I finally finished the Moonville case—for good, this time.” I told him about the fight with the woman’s ghost and the railroad spirit and how I torched the tunnel and took the spike. “I think it’s finally done.”
“We thought that before,” West pointed out.
“I know. And for a while, things died down—I think it took a while for the spirits to power back up again. But this time, I really believe I broke what was holding them there.”
“Nice work,” West said. “Glad to know you’re still on the job. Those new partners working out okay?”
I had told him about Adrian and Jenna the last time I’d come to Mrs. Brandino, and while I knew West wouldn’t begrudge me mortal companionship, I think he hated to be excluded. While he’d never admit it or want me to join them in the hereafter, I think he missed our adventures.
Apparently in heaven there are no heists to bust.
“They’re not bad—for kids,” I admitted, even though I had figured out that my new partners were about the same age that West and Sarah Grace were when we worked together. “Pretty sharp, actually. But I miss hanging around like we used to.”
“Look at you, getting sentimental over Prohibition,” West teased. “You might miss us, but I bet you don’t miss the bathtub gin.”
He was right about that, and recalling the taste made me shudder.
“True. Is Sarah Grace floating around in the ether?”
“Tired of talking with me already?” West joked. “Yeah, she’s here. If you wrap up any more old cases, let us know. The afterlife is pretty boring.”
I felt the energy shift, and Sarah Grace’s presence moved to the forefront.
“Hello, Joe. Nice of you to drop by. What are you up to these days?” Damned if she didn’t sound just the same a hundred years after some of our best exploits.
“Still on the job, not lollygagging like you two. I’m cleaning up loose ends. Wrapped up the Moonville case—and I think the fix will stick.”
Her laugh was as infectious as I remembered. “Never a dull moment with you. Glad to hear it. How are you—really?”
Leave it to Sarah Grace to get to the heart of the matter. I shrugged, uncomfortable. “You know. Same old, same old.”
“Um-hum,” she replied, and even channeled through the medium I sensed her disapproval. In my mind’s eye, I imagined the tilt of her head and her skeptical expression. “Being immortal isn’t a free pass not to take care of yourself. You can have a purpose and still be happy sometimes.”
Even from beyond the grave, she had me dead to rights. Maybe that’s one of the reasons that West and Sarah Grace were so special to me. Our partnership morphed into deep friendship. While I had liked and respected all my partners over the years, some were closer to my heart than others. West and Sarah Grace would always be among my favorites.
“I’m happy when I solve cases.” I knew it was a weak comeback.
“Joe—you know what I mean,” she chided. “Even watchdogs chase a ball now and then.”
“Point taken. Fetch more, bark less?”